AWARDS
Mass Cultural Council local grant 2008
Fiber Celebration 2007, Non-functional Three Dimensional
     Honorable Mention, Greeley Museum, CO
Fiberart International 2007 Directors’ Award, Cost of War,      Pittsburgh, PA,
The Knitting Guild of America, Best of Show in Machine Knitting,      1998
Niche Award Finalist, 1998
The Philadelphia Craft Show, The Wilde Yarns Prize for
     Excellence in Fiber, 1993

COLLECTIONS
The Philadelphia Museum of Art, Philadelphia, PA
The Goldstein Museum of Design, St. Paul, MN
Private collections

RECENT GALLERIES & EXHIBITS                          2008                                                                                                                  Peace & Politics: An Artist's Agenda for America, The Rosen Group, Phila, PA                                                                                       Violence Transformed, 'Art and Protest' Digital Exhibit, Mass State House
War, Madness and Delusion, Andover Newton Theological School, MA
Women of the Cloth, Bunker Hill Community College, Boston, MA

2007
Fiberart International 2007, Pittsburgh PA                                         Fiber Celebration 2007, City of Greeley Museum, CO
Crafts National, Lancaster Museum of Art, Lancaster, PA,
     Gretchen Keyworth, curator
Fiber Fever, Foundry Art Centre, St Charles, MO,
      Arturo Alonzo Sandoval, juror >>read more

Cost of War, winner of the Directors’ Award at Fiberart
International, Pittsburgh, PA 2007

Surface Design Newsletter volume 20, #3, summer 2007:
Letter from the president:

“….Two works that literally stopped me in my tracks and still follow me around are Japanese artists Emiko Nakano’s large multilayer weaving titled Ruins and US artist Adrienne Sloane’s hauntingly moving Cost of War, a series of small machine knit, linen figures lying horizontally and stacked in rows."

Some Strong Expressions Weave into Fiberart International, Pittsburgh Post-Gazette Wed, July 25, 2007

“....Adrienne Sloane's "Cost of War," for example,
takes a moment to deliver its impact, as the viewer
approaches the rows of 14 small forms tacked to the wall.
They are knitted bodies, small grayish figures stretched horizontally, with sagging heads, feet and genitalia.”

American Craft, Fiberart International review, aug/sept, 2007

“ ….I was struck by Adrienne Sloane’s moving work Cost of War, 2006.  In the catalog, machine-knit linen “bodies” are strung out on a perfectly appropriate black background; in the gallery, pinned on a white wall they appear more emphatically three-dimensional, more elemental and immeasurably more poignant.”