AWARDS
2010 Materials Hard & Soft, Juror's Award, Greater Denton Arts Council, TX, Jo Lauria, juror 
2009 Fiber Directions 2009, Wichita Center for the Arts, Best of Show, Jason Pollen, juror
2008 Mass Cultural Council local grant
2007 Fiberart International Directors' Award, Cost of War, Pittsburgh, PA
2007 Fiber Celebration, Non-functional Three Dimensional Honorable Mention, Greeley Museum, CO
1998 The Knitting Guild of America, Best of Show in Machine Knitting
1998 Niche Award Finalist
1993 The Philadelphia Craft Show, The Wilde Yarns Prize for Excellence in Fiber
COLLECTIONS
The Philadelphia Museum of Art, Philadelphia, PA
The Goldstein Museum of Design, St. Paul, MN
The Kamm Collection
Private collections
SELECT RECENT GALLERIES & EXHIBITS
2010
Fiber: TwentyTen, Foundry Art Center, St. Charles, MO
Fantastic Fibers, Yeiser Art Center, Paducah, KY
Juror, Metaphoric Fibers; Untamed Knit & Crochet, The Textile Center, Minn, MN,
Materials Hard & Soft, Greater Denton Arts Council, Denton, TX Juror's Award for Sea Change
2009
Invitational, Loose Ends: Contemporary Fiber Arts, The Fort Collins Lincoln Center
War & Peace: Images of Confllict & Resolution in the 21st Century, Honorable Mention, Lynn, MA
National Fiber Directions 2009, Best of Show, The Wichita Center for the Arts, KS, Jason Pollen, Juror, catalog
Edge, Artspace Gallery, Maynard, MA
10th Annual Frances N. Roddy Open Competition, Concord Art Assoc., Concord MA
>>read more
detail from Cost of War

Cost of War, winner of the Directors' Award at Fiberart International, Pittsburgh, PA 2007

Artful Knit (pdf), Yarn Magazine, December 2009, Australia

Artist Profile (pdf), Get Creative, Issue 7, 2009, Australia

Surface Design Newsletter volume 20, #3, summer 2007: Letter from the president:

Two works that literally stopped me in my tracks and still follow me around are Japanese artists Emiko Nakano's large multilayer weaving titled "Ruins" and US artist Adrienne Sloane's hauntingly moving "Cost of War", a series of small machine knit, linen figures lying horizontally and stacked in rows.

Some Strong Expressions Weave into Fiberart International, Pittsburgh Post-Gazette Wed, July 25, 2007

....Adrienne Sloane's "Cost of War," for example, takes a moment to deliver its impact, as the viewer approaches the rows of 14 small forms tacked to the wall. They are knitted bodies, small grayish figures stretched horizontally, with sagging heads, feet and genitalia.